Showing posts with label photo. Show all posts
Showing posts with label photo. Show all posts
Tuesday, November 25, 2008
Goin' Out West: Ry Cooder, Wim Wenders and Robby Muller
Phtotojournalist Eric Grigorian traveled with blues/surf guitarist Ry Cooder to El Mirage Dry Lake, in the Mojave Desert. Click Here for an audio slideshow, with Ry Cooder's music, featured in The New York Times.
Known for his "discovery" of the Buena Vista Social Club in Cuba, Ry Cooder also did the music for Wim Wenders Paris, Texas. Watch it. Robby Muller, the cinematographer behind the dauntilgly beautiful Down By Law, shot the film:
Wednesday, November 19, 2008
Annie Liebovitz "At Work"
I finished Annie's latest book At Work last night. If you're looking for lighting secrets and how-to details you'll be disappointed. Instead, the book focuses on the challenges behind her shoots and how she creates in different situations. Personally, I love the anecdotes and descriptions. Her words heavily out weigh her pictures on topics such as John & Yoko, Demi Moore, George W. Bush, The Queen, The Rolling Stones, Arnold Schwarzenegger, Al Sharpton and Vanity Fair.
I'm still getting over the fact that she created her famous Rolling Stone cover of John & Yoko at their apartment in the Dakota, hours before he was killed. I never could process that one.
There's a review of the book on Strobist and I published these words in the comment thread:
Two lines worth sharing:
1. "As much as I love pictures that have been set up, and as important as those pictures are to me, I'd rather photograph something that occurs on its own."
2. "I've never been able to make strobe light look as beautiful as natural light."
Coming from the world's number one photographer of highly lit, stylized, set-up portraits, these are powerful statements. I'd say that's a tall nod to the ways of Robert Frank, Gary Winogrand, Lee Friedlander and the documentary legends.
Maybe she's just waxing nostalgic for the 1970's Rolling Stone days...but it's a tall reminder that important work isn't just about the physics behind a photograph, but what that photograph means when art and science merge.
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